Lino lėlės — is not only a direct and authentic dialogue with the audience. It is a kind of ceremonial, a theatrical ritual where a special value is given to the nobility of inner scenic narration, humanistic ideals, ethics, the simplicity of sophistication, whereas a strong intuition upon the birth of a play is more important than rational decisions. The immanent original dramaturgy of the theatre refers to the Lithuanian folklore and mythology, albeit not drawing back from current realities. On the contrary, the poetic worldview, format, scene composition, stage atmosphere, and the poetics of thought display the layer and development of social media with the problematic existence of a man in the 21st century, with all of his tensions and uncertainty. At the same time, the plays radiate clear optimism and each story has its vertical axis of (divine) being. It is a romantic theatre of hope, reminding us that the world is not perfect, sometimes cruel, but there is always a dose of innocent naivety, beauty and good in it. It is the right of each of us to see and choose.